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Classical concerts featuring
Konstantin Krimmel

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Upcoming Concerts

Concerts featuring Konstantin Krimmel in season 2024/25 or later

February 9, 2025
Artistic depiction of the event

Sir Simon Rattle · BRSO hip

Sun, Feb 9, 2025, 11:00
Sir Simon Rattle (Conductor), Carolyn Sampson (Soprano), Tim Mead (Countertenor), Thomas Hobbs (Tenor), Konstantin Krimmel (Bariton), Bavarian Radio Chorus, BRSO hip (Baroque Ensemble)
“HIP” is not only the abbreviation for ’Historically Informed Performance,’ but above all denotes Sir Simon Rattle’s initiative to expand the BRSO repertoire with baroque music – played on period instruments. The Chief Conductor commences with three of Bach’s most beautiful cantatas. Herr, gehe nicht ins Gericht is full of poignant friction and sigh-laden progressions. Every note of Liebster Gott, wenn werd ich sterben contains a longing for death, but also the assurance of an eternal life. Was Gott tut, das ist wohlgetan is probably most akin to chamber music: with its sparse instrumentation and the omission of a final chorale, it occupies a unique position among Bach’s cantatas.
April 2, 2025
Artistic depiction of the event

Jakub Hrůša, Konstantin Krimmel

Wed, Apr 2, 2025, 20:00
Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)
Jakub Hrůša (Conductor), Konstantin Krimmel (Bariton)
»Mahler is a must!« That was absolutely clear to Jakub Hrůša when our journey together began in 2016 – as his late Romantic music is »genetically very close« to both him and ourselves. We have already performed five of his symphonies together in recent years. This programme includes the enchanting »Blumine« movement, which Mahler erased from his autobiographical first symphony and described himself as a »blissful infatuation«: he wrote it in 1884 as a young conductor when he had a crush on a soprano. However, his affection was not returned – and a year later, the »Lieder eines fahrenden Gesellen« (»Songs of a Travelling Companion«) emerged from his emotional misery. Together with Konstantin Krimmel, we embark on the restless wanderings of the lovesick artist. After that we say: Not only Mahler is a must. For some time now, Jakub Hrůša has also been working more intensively on Bruckner, as he has recognised that only an orchestra that »really loves this music enough« will be able to make it work. He described the phase in which we immersed ourselves in the Symphony No. 4 in the 2018/2019 season as a »blissful experience with Bruckner« – and it was deepened even further: In the 2020 pandemic, we recorded our Chief Conductor’s personal take on all three versions of the work for a phenomenal and award-winning recording. In this programme, the »Romantic« is performed in the 1878/1880 version – first in Bamberg, as is traditional, of course. Then we will once again become »travelling companions« ourselves and present the works in two of the best halls in Europe: in the Concertgebouw in Amsterdam and (for the 10th time already!) in Hamburg’s Elbphilharmonie – where we have come to love and appreciate the inspiring acoustics.
April 4, 2025
Artistic depiction of the event

Jakub Hrůša & Bamberger Symphoniker: Mahler & Bruckner

Fri, Apr 4, 2025, 20:15
Bamberger Symphoniker, Jakub Hrůša (Conductor), Konstantin Krimmel (Bariton)
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!
April 5, 2025
Artistic depiction of the event

On Tour: Elbphilharmonie Hamburg

Sat, Apr 5, 2025, 20:00
Jakub Hrůša (Conductor), Konstantin Krimmel (Bariton)
»Mahler is a must!« That was absolutely clear to Jakub Hrůša when our journey together began in 2016 – as his late Romantic music is »genetically very close« to both him and ourselves. We have already performed five of his symphonies together in recent years. This programme includes the enchanting »Blumine« movement, which Mahler erased from his autobiographical first symphony and described himself as a »blissful infatuation«: he wrote it in 1884 as a young conductor when he had a crush on a soprano. However, his affection was not returned – and a year later, the »Lieder eines fahrenden Gesellen« (»Songs of a Travelling Companion«) emerged from his emotional misery. Together with Konstantin Krimmel, we embark on the restless wanderings of the lovesick artist. After that we say: Not only Mahler is a must. For some time now, Jakub Hrůša has also been working more intensively on Bruckner, as he has recognised that only an orchestra that »really loves this music enough« will be able to make it work. He described the phase in which we immersed ourselves in the Symphony No. 4 in the 2018/2019 season as a »blissful experience with Bruckner« – and it was deepened even further: In the 2020 pandemic, we recorded our Chief Conductor’s personal take on all three versions of the work for a phenomenal and award-winning recording. In this programme, the »Romantic« is performed in the 1878/1880 version – first in Bamberg, as is traditional, of course. Then we will once again become »travelling companions« ourselves and present the works in two of the best halls in Europe: in the Concertgebouw in Amsterdam and (for the 10th time already!) in Hamburg’s Elbphilharmonie – where we have come to love and appreciate the inspiring acoustics.
April 11, 2025
Artistic depiction of the event

Concertgebouw Orchestra: Bach's St Matthew Passion

Fri, Apr 11, 2025, 19:00
Concertgebouw Orchestra, Nederlands Kamerkoor, Nationaal Kinderkoor, Riccardo Minasi (Conductor), Mauro Peter (Evangelist), Aurel Dawidiuk, Cody Quattlebaum (Christus), Jane Archibald (Soprano), Jess Dandy (Alto), Valerio Contaldo (Tenor), Konstantin Krimmel (Bass)
The week before Easter wouldn’t be complete without Bach’s always overwhelming St Matthew Passion, which for decades has been one of the most popular works among classical music lovers in the Netherlands. Bach composed the Passion nearly 300 years ago in such an emotional, compelling way that it leaves few listeners unmoved.The Concertgebouw Orchestra first performed the work in January 1891, and eight years later, the annual Passion tradition was officially established. This year’s Passion performance features Riccardo Minasi, one of the most interesting conductors to rise to fame in recent years, and a specialist in eighteenth-century music. Originally scheduled for 2020, his first appearance with the Concertgebouw Orchestra was postponed owing to the coronavirus pandemic. It’s high time he came to share his vision of Bach’s immortal masterpiece with the Concertgebouw Orchestra.
April 13, 2025
Artistic depiction of the event

Concertgebouw Orchestra: Bach's St Matthew Passion

Sun, Apr 13, 2025, 12:00
Concertgebouw Orchestra, Nederlands Kamerkoor, Nationaal Kinderkoor, Riccardo Minasi (Conductor), Mauro Peter (Evangelist), Aurel Dawidiuk, Cody Quattlebaum (Christus), Jane Archibald (Soprano), Jess Dandy (Alto), Valerio Contaldo (Tenor), Konstantin Krimmel (Bass)
The week before Easter wouldn’t be complete without Bach’s always overwhelming St Matthew Passion, which for decades has been one of the most popular works among classical music lovers in the Netherlands. Bach composed the Passion nearly 300 years ago in such an emotional, compelling way that it leaves few listeners unmoved.The Concertgebouw Orchestra first performed the work in January 1891, and eight years later, the annual Passion tradition was officially established. This year’s Passion performance features Riccardo Minasi, one of the most interesting conductors to rise to fame in recent years, and a specialist in eighteenth-century music. Originally scheduled for 2020, his first appearance with the Concertgebouw Orchestra was postponed owing to the coronavirus pandemic. It’s high time he came to share his vision of Bach’s immortal masterpiece with the Concertgebouw Orchestra.
April 23, 2025
Artistic depiction of the event

Lied concert with Konstantin Krimmel

Wed, Apr 23, 2025, 19:00
Konserthuset Stockholm, The Grünewald Hall (Stockholm)
Konstantin Krimmel (Bariton), Magnus Svensson (Piano)
The young German-Romanian baritone Konstantin Krimmel won several competitions early in his career and is now part of the ensemble at the Bayerische Staatsoper. From 2021 to 2023, he was a BBC New Generation Artist.Lied singing is an important part of his artistry, and he has recorded songs by composers such as Schubert and Silvestrov on a couple of CDs with pianist Hélène Grimaud. For his debut at Konserthuset, he performs songs by Brahms, Vaughan Williams, and Schubert.Magnus Svensson is the artistic director of Konserthuset’s Lied concerts. In addition to concerts in the Nordic region and elsewhere in Europe, he has also performed in Russia and the US. Since 2012, he has also worked at the Royal Swedish Academy of Music with re-publishing older Swedish music.